[FM] Re:slaid
Shaun Belcher
sdb@bodley.ox.ac.uk
Wed, 23 Feb 2000 17:25:01 +0000 (GMT Standard Time)
just to throw in my twopennyworth
by the way it's copyright All Muisc Guide for ever and then some
and I've got a teeny check to prove it......no I don't write for
them no more....too renumerative.
(By the way if there are any British readers Mr.Cleaves will be
playing the 12-Bar London later this year.)
This 1997 offering was produced by Lucinda Williams band guitarist
Gurf Morlix and comes out of similar singer-songwriter territory. The
acoustic band feel that ran through his previous small label
recordings with Maine band the Moxie Men combines with the Texas
troubadour tradition to produce a sound resembling that of Peter
Case, Darden Smith or Robert Earl Keen. A song from his early days
revisited, a co-write with childhood friend Rod Picott in "Wrecking
Ball," and others capture small-town stories as well as Morlix's
more famous employer. There's also a hint of Springsteen's passion
for cars, rivers and bleak working-class lives on tracks such as
"Last of the V-8's" or the defiant "Not Going Down." The fine
production enhances a set every bit as good as his 1992 Life's Other
Side, which led to Cleaves receiving a Kerrville New Folk songwriter
award, or the 1993 self-released For the Brave and Free which
employed a host of Austin musicians. File under literate
country-tinged folk-rock with a touch of swing. -- Shaun Belcher,
All Music Guide
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